ULBANDUS XVI - Hearing Texts: The Auditory in Slavic Languages
(2014)

CONTENTS

Editor's Introduction
            HOLLY MYERS

PART ONE: SPEECH AND CONVERSATION

Raskol’nikov’s Aural Conversation: From Hearing to Listening
            DANIEL SCHÜMANN

Pantomimes of Race and Power: Can the Socialist Subaltern Speak? (Online content)
            ANASTASIA KAYIATOS

Three Poems by Georgy Ivanov
           Translated by ROBERT CHANDLER

PART TWO: RUSSIAN MODERNISTS ON SOUND AND MUSIC 

The Frozen Desert and The Crystal World: Figurations of Aleksander Scriabin’s Music in Evgenii Zamiatin’s “The Cave” and We (Online content)
            POLINA DIMOVA

V.I. Ivanov’s Beethoven Poems
            KERRY PHILBEN

Futurist Phonology
            BORIS GASPAROV 

PART THREE: SOUNDS AND SONGS IN CONSTRUCTING IDENTITY

Incomprehensible from Without: Folk Authenticity and the Foreign Perspective in Gogol's, Turgenev's, and Tolstoy's Russian Songs
            JOSHUA WALKER

Productive Rhythms: The Sounds of Chinese Revolution through Soviet Ears
            EDWARD TYERMAN

PART FOUR: MUSIC'S ROLE ON THE CULTURAL BATTLEGROUND

The Pleasure is All Mine: Music and Femininity in Tolstoy
            NATALIA DAME

Making Deals in the Paradise of Thieves: Leonid Utesov, Arkadii Severniy, and Blatnaia Pesnia (Online content)
            SOPHIE PINKHA/M

Willis of Oz: How Willis Conover Enchanted The Thaw Generation of Poets with His 'Jazz Hour' Radio Program (Online content)
            MARGO ROSEN

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